Photographers, how do you work

While talking with photographers here in Calgary, I quickly realized that our styles of working are vastly different, and through discussion we could quickly improve upon each other’s workflow.

I’ve been studying how renowned photographers run through their workflow for a while, and have found so many small nuggets of information that helped me.

Here’s my workflow, if you see anywhere I can improve, leave a note in the comments.
If you are a photographer and would like to write a guest post on my blog detailing your workflow, or anything else photography related, just send me a message with your ideas.

1. Editing Workflow.

  • Coming home to my office after a Photo-Shoot, my first step is to transfer my RAW images into a folder that is sorted by Year, Month and custom name like [August 24 Kelsie]

  • Using Adobe Lightroom I import the RAW files [RAW???] from the above folder. I’ll “add” the files, as I don’t want Lightroom to move them to it’s own folder structure. 

  • The files all get between 5 and 10 keywords to describe the location and people in the photos. This helps me find photos in a library that in the past has contained over 100,000 images. I have now cut that down by creating a new Lightroom Catalog every year.

  • Once imported, rather than going through the process of elimination, I’ll go through all the photos and “pick” the photos I love at first impression, using the arrow keys and [p] key. Usually from a hundred photos I’ll find 20 that I really love.

  • For photos that are terrible and I know I’ll never use, I’ll press [x] and reject them. After I finish editing, I’ll delete the actual files, this eliminates a lot of unnecessary junk from my workflow.

  • After giving all the photos a personal edit, usually it takes under 10 minutes per photo, I’ll take them into Adobe Photoshop using the built in Lightroom to Photoshop feature. In Photoshop I clean up distractions using the [spot healing brush], [healing brush] ,[content aware fill] and the [clone stamp]. A basic clean takes around half an hour if done right. A more intense cleanup, usually for one-off images, takes several hours per image to properly clean up and edit faces, groups and scenes. All the magic known as “photo-shopping” happens here too.

  • I save the Photoshop edits as a .psd file in the same folder where the RAW images are stored, and I also save it back to Lightroom simply by pressing [save] that leaves a edited .tiff file and the [Lightroom-edited] .cr2 file side by side in the Lightroom library.

  • The final step in the editing process is simple, I select the 10-20 best images from the ones I’ve thoroughly edited and export them to a file structure identical to the one mentioned above, but this one is for .jpg images. Year-month-[month-day-photoshoot name] That file structure is also a Dropbox folder for easy backup.

2. Backups.

This step is so bloody important. I’ve lost several hard drives over the years, but none have ended up in me loosing actual data. I currently have 12 separate drives holding my data. There is one in my MacBook Pro on which I have the current months work and maybe the previous two if it fits. I have three drives on my second desktop computer, which is where my old data lies, I use that computer for memory intensive jobs like time-lapse and video. I have two external drives that both have 3 TB drives in them and a Drobo with 4 drives in it. Also, I have really old data that’s on two drives that I plug in only once a year or so. It’s stored off site. [One is still on the colony]

  • The raw files for any given shoot are dumped onto my MacBook’s internal drive. The edited .jpg files are also stored on there in a Dropbox folder. That gives me an automatic online backup. [I have a 180 GB Dropbox]

  • Using [Time Machine] mac-only [Sync Toy] Windows, I set up a daily backup of the jpg images and raw images. The .jpg images are backed up to the two separate drives, and the RAW files are backed up to the Drobo, which is set up as a raid drive. [raid=two copies]

  • I now have 4 copies of the most recent jpg files [mac, Dropbox, two drives], and three copies of this year’s RAW files. [Mac, Drobo] I have select old raw files on the loose hard drive, and all old .jpg files on multiple loose drives.

  • All jpg files are uploaded toFlickras well. I have had a pro account for almost a decade and 90 percent of my photos are only there for backup and only I can see them.

3. Posting online.

I sporadically post online. Usually I post a photo from a select photo-shoot to my Facebook page that links to a post on my Blog that includes more written content and more photos. 

  • Facebook is where I post the first of any photo-shoots. Generally on my Photography page first as one photo that links to the rest of the photos and a write-up on my blog.

  • When I write a blog post, it sends out a link and caption to my Twitter feed, Personal Facebook wall, and my LinkedIn account.

  • Having a backup on Dropbox allows me to access the photos on my phone. I download them to the Instagram app and post from there to Instagram and Facebook, never to twitter. As one cannot see the image in the twitter feed. For that I use IFTTT.

  • IFTTT [if this then that] is an amazing website/service that automates the internet. I use it to extract the photos from Instagram as well as the caption and upload to twitter so people can see them without having to be redirected to the Instagram website. Using this recipe.

Other links. 

Chase Jarvis - Workflow Video

Thomas Hawk Workflow Blog-Post

 Nick Fancher Workflow Blog-post + Video on Fstoppers

Scott Kelby Workflow Blog-post

 

At shambhala

Shambhala was transformative for me. I would like to take every single one of my friends next year. 

Shambhala is a music festival . There are 7 stages, nestled into the woods. Like seriously, they are built in a forest [Like Fairholme Colony]. Being barefoot is normal, naked also. It's dusty, warm, and friendly. There's a river with a stage right beside it. There's really good food stands, and 10,000 people. The camping space is either on a open field or in some pine forests. You could be there for a week, just walking around and you still wouldn't have found every little corner, hammock, treehouse, or beach. It's absolutely my dream vision of a world. 

This is all built on a farm. Near Salmo, BC. 

Everything I could say about it, is not enough. You have to be there, to experience it. To experience yourself. The photos below, are but snapshots. I had far too much fun in experiencing it, that photography simply took a second seat.  

Oh, did I mention there's music almost all day. Yes. It runs from around 11am in the morning to the 8am the next morning. For 4 days.  

Love this place: Karyn Lee

My second instalment of "love this place" photo series.  

This is Karyn Lee, a Photographer from High River, AB. [Karyn Lee Portrait CoutureShe owns a couple horses on a small farm just outside of High River. A farm owned by Deb and Keith.  I travelled there with her to shoot photos as she spent time with her horses. 

It was a learning experience to be using strobe lights with large umbrellas around horses. They get spooked rather easily. The first time setting up an umbrella, it was a small one, 3 feet in diameter, and a good 20 feet from the horse. The horse reacted really suddenly, enough to give Karyn a rope burn. I was a little wiser the next time, I set the large, 7 foot reflector umbrella up before the horse arrived, and kept flashing the strobe as she came closer just to get her used to it.  

The best part came at the end of the photo-shoot when talking to Deb who owns the farm. She said I could come back any time to have a photo-shoot with her horses, but more specifically to paint one of her white horses.  

Karyn Lee: Facebook. Website


Photo-booth at Ascending Koi

My friends at Ascending Koi tattoo and apparel are the nicest group of people I know in calgary [period]. They have fundraisers almost weekly and usually in the form of a friendly block party anyone can attend. 
These are photos of the guests at one such party.

We had originally planned to have a standard grey background, but it was windy and I was like "I'm setting this up to create the most visually stunning photos I can with the given space". They had a shrub, I used it. A shrub, A Canon 60D, 24-70mm f2.8 Lens, wireless flash triggers and Alienbee 1600 light with beauty dish
Check out their Website. Facebook.  Twitter. YouTube